Showing posts with label premiere (france). Show all posts
Showing posts with label premiere (france). Show all posts

Tuesday, 6 November 2012

Preview of New Rob and Kristen Interview in Premiere Magazine (France)


The magazine has new interviews with Rob , Kristen and Taylor in the new issue, out this Wednesday (11/05). The editor-in-chief tweeted preview of Rob's interview.



Scans




Translation under the cut :)

Sunday, 10 June 2012

KRISTEN'S INTERVIEW WITH PREMIERE FRANCE


imagebam.com

Premiere: The epilogue of Twilight comes out in November, you were in Cannes not long ago with On The Road, we'll find you again this month in Snow White and the Huntsman ... This is a big year for you. The most impressive of your young career?
The most exciting, certainly yes! And yes, probably the biggest since the release of the first Twilight. I am pleased to be showing these three very different films. There is a contrast between each of them that will perhaps allow spectators to see me in a new light. But there was absolutely nothing premeditated on my part. I did not say "Okay, let's try to release these three movies at the same time, just to show that I have a wide acting range." (Laughter). It's really a coincidence and not the result of a strategy or any career plan.

Premiere: It's hard not to notice with the Cannes selections of On The Road & Cosmopolis that it's a sign the Twilight chapter is definitely closed for Robert Pattinson and you...
Yes, Cannes is the Grail, the ultimate goal for every actor. This is not why we do this profession, but there is no reward more satisfying than a selection there. That said, it's hard for me to talk about the "end" of Twilight. First of all because the last film has not been released yet, and also because I've never had the feeling of being trapped in the saga. I've always tried to change a little, to try new things between each movies.

Premiere: The difference is that before, between the Twilight movies, you used to shoot smaller independent films like Welcome To The Rileys and The Runaways. Snow White and the Huntsman is a rather large machine, especially the first part of a new franchise and the first film where you assume your status as a movie star ...
 I don't see it that way. At first I was against the idea of playing in a film that could have sequels. A new franchise? Thanks, but not thanks. And especially not a saga about Snow White, a story that everyone knows with a beginning, a middle and an end. I didn't want to be attached to a project over such a long period of time like I was with Twilight. I love these films, it was a great adventure, but I really wanted to move on, to try new experiments. And then I met Rupert Sanders (The Director)... I fell under the spell of his imagination, his aesthetic procedures. It made ​​me discover a new world in which I really wanted to evolve. When you meet a director, you know very quickly if things will go right or wrong. He will be your boss, The one you'll have to follow at all costs for many months. Choosing a film, a role, it's not something rational. It's a visceral instinct, almost indescribable. Overnight, you only have that in mind. And then I met Rupert & he made me want to go for it...

Premiere:So There will be a sequel to of Snow White and the Huntsman?
I do not want to sell the chickens before they hatch and I have probably no right to tell you this, but yes, we are quite optimistic. We are all proud of the film, we want there to be a sequel. If there are none, it won't be the end of the world either, but I am hopeful.

Premiere: So you're going to be busy with that project for the next five years...
 It's weird, huh? In any case, it confirms what I said: there is no logic behind my career choice!

 Scans VEF_Twilight Translation werkdelusional via  fiercebitchstew

Friday, 25 May 2012

Rob Interview w/ Premiere.fr


P: Is there some part of you that is thrilled to surprise your Twilight fans who would see Cosmopolis?
RP: When my casting in Cosmopolis was announced, I saw many of them buying Don DeLillo’s book. And it doesn’t shock them at all that I’m playing a role like this one. On the contrary, I feel liek they want to see us succeed, for us to be successful after the saga. They want us to be loved and respected. They’re aren’t fans like any others, they might not all be movie fanatics, but I can feel in them a desire to become one. They’re interested in what we do, even if it’s an usual movie like Cosmopolis. Actors that are in popular hits or franchises, often feel like they have to do things that would please ‘this’ audience. But I think that they underestimate their spectators. I know that Twilight fans want to adapt themselves. If you’ve played in Transformers, it doesn’t mean you have to limit yourself to that all your life.
P: Cosmopolis press promise to be … interesting. In hope that all the interviews won’t focus only on one particular scene.
RP: I don’t see which scene they could focus on that would reduce/narrow down the movie …
P: I do …
RP: You mean the chek-up scene, I guess? Having said that now, it’s a pretty good promo for the movie: “So, you get your prostate checked in Cosmopolis?” *laughs* As soon as I have an erotic scene, teh most commun you could imagine, I know I’ll hear about it.
P: In Cosmopolis, there’s one where a taser is involved?
RP: The one in the hotel .. We shot that one in one take. Patricia (McKenzie), the actress, was really at ease with her body. When we had to rehearse the scene, she almost took all her clothes off. I just stood there in my underwear, so embarrassed! After the scene was done, I went to see the cameraman and asked him: “Is it me or what just happened was really intense? I almost felt like I really had sex!” The sex scene in History of Violence was already incredible. I don’t know why but David Cronenberg is really talented for that. It’s a surprising speciality for a director, but it’s his.
P: David Lynch is pretty good too for that. It’s funny because when you see Lynch and Cronenberg, the first thing that comes to mind isn’t: “I’m sure those guys shoot amazing sex scenes.”
RP: It might be due to the fascination that David has with the human body. Even in a movie like Videodrome, he sexualizes everything – the orifice that James Woods has on his belly looks a lot like a vagina. And I can really see David thinking about it and tell himself: “MMMh, I like that.” We see less and less filmmakers having enough confidence that would let them flaunt and dig their obsessions. It’s like Tarantino and women’s feet. It’s his thing, he likes that and thus going to put it iin all his movies. I’m not attracted to feet but when they film those of Bridget Fonda in Jacky Brow, it’s sexy.
P: In Cosmopolis, you get a visit from Juliette Binoche in the limp. She uses the space in a very creative way …
RP: Originally, the sex scene with Juliette was supposed to happen in a hotel room, but found it more interesting for it to happen in the limo. You have to ask yourself a question: how to you film, with success, a sex scene in a limo? Well, you end up bumping yourself everywhere in the car *laughs*. The worst is that I met Juliette Binoche, who is one of my favorite actresses, right before filming the scene. And 5 minutes later, we were writhing in the limo … Very strange. But yes, it was more appropriate in that space.
P: What about Mathieu Amalric, the other French of the movie?
RP: He’s amazing. I’m sad he’s mostly filmed in wide shots because you can’t really enjoy the crazy facial expressions he did. Does he work a lot in France?
P: Not enough. But he directs too.
RP: It doesn’t surprise me. By the way, did you see the trailer for Rust and Bone? If only Audiard decided to film in English .. He’s probably the biggest director active, able of making movies that touch the general public while still being, indisputably, art. The performances in his movies are the best, his action scenes are the best … Not a lot of filmmakers can reach his level, except for maybe James Gray, with whom I dream of working.
P: What attracts you in project today?
RP: I want to do a movie that would make people want to hang its poster on their wall. Like with Trainspotting before: everyone had that poster in their room, me being the first. It was a way to declare one’s identity. I dream of being in movies that would inspire the same thing.
Source / Via

Sunday, 13 May 2012

2 Pictures from Premiere Magazine – Now in Better Quality and Without the Magazine Tags


imagebam.com imagebam.com
These pictures were from the magazine, now in better quality and without the magazine tags. Previously posted outtakes here

Saturday, 12 May 2012

NEW OUTTAKES FROM THE NEW ROB PHOTOSHOOT FOR PREMIERE


imagebam.com imagebam.com imagebam.com imagebam.com 

 Better Quality

  imagebam.com imagebam.comimagebam.com imagebam.com imagebam.com imagebam.com imagebam.comimagebam.com 

  Source | via via via

For those who missed it, Rob's latest pictorial was inspired by David Cronenberg's films. As mentioned in this article, it's Rob's homage to the genius of DC as a fimmaker. Here are some of the stills from Dead Ringers, Videodrome and Scanners.
  ImageBam image upload ImageBam image upload ImageBam image upload

Thursday, 10 May 2012

Cosmopolis Review from Premiere Magazine

image host image host 

Translation:
New York is on war footing. The President of the USA is passing through and demonstrations are threating to drown Manhattan in chaos. Eric Packer, 28 years old millionaire, doesn't care. No matter what happens, he will go get his haircut on the other side of town.

We're not going to lie, whether we like David Cronenberg's recent movies, we were seriously missing the filmmaker of Videodrome and Crash. Pop open the champagne because he's back in every shot of Cosmopolis. Even though he's adapting someone else's work, the Canadian filmmaker recognized his young/offsprings in the novel of DeLillo. The absurd and persistant odyssey of a young wolf in finance who parades collegues, mistresses and doctors in his high-tech limo. When he reaches his destination, he might be left with nothing (the Japanese currency threatens his waller, his wife is more and distant, it's getting unbearable.) but the answer of the question that haunts him, without being able to articulate it: Can the one who possesses everything still desire anything else?

Cronenberg made sure that all his obsessions punctuate his route, whether they are intellectual (the search for 'another' reality) or carnal/physical (another scene that will make people talk, Packer learns that his prostate asymmetrical). Enthroned in the back seat of his limousine Robert Pattinson reveals a deepness that gets more & more fascinating as his character gets closer to hittng rock bottom/gets closer to the abyss. The fear that surrenders his face in the last moments doesnt belong only to this anti-hero that arrived at the point of no return, but it's also the fear of an actor who tests his limits with an unsupected bravery. With a feverish and decadent ride in Hell, Cosmopolis proves that he's not done testing them.


CHECK OUT THE NEW ROB PHOTOSHOOT TOO :D
Via: RPLife

On The Road Review from Premiere Magazine

image host image host

After the death of his father in the beginning of the 50’s, Sal Paradise, young writer, go with his friend Dean Moriarty for a liberating odyssey on US roads. On the menu : sex, drugs and be-bop. At the end, a mythic novel. 

Even if it has been quoted a thousand times in theater, Jack Kerouac’s novel, manifesto of the Beat Generation, had never been adapted. Walter Salles did it, with the experience he gained thanks to The Motorcycle Diaries, another road movie-biography happening in the 50’s. Good news : the Brazilian director did pretty well, imposing to its movie the same jazzy rhythm as the one who inspired the young writer years before. Eric Gauthier is behind the camera, and the fact that he shoots with the camera on his shoulder conveys the permanent movement of the characters, who by changing their points of view, managed to have a better comprehension of the world. In front of the perfect Sam Riley, witness and actor at the same time, Garrett Hedlund make us forget the disappointing ‘’Tron-Legacy’’ by playing with endless energy the charismatic Dean Moriarty, insatiable explorer of new vehicles, above all in love, - he was training every position, with one or several people at the same time, swinging both ways. Kirsten Dunst and above all Kristen Stewart are very good playing girlfriends always up for it, but inevitably disappointed when they discover that fidelity is not compatible with freedom. In hindsight, the travel of these pioneers can be seen as limited if we compare it to more radicals experiences of following decades, but it has the merit to be the first, and the actors succeed in sharing with us the excitement of the discovery.


THIS IS THE SAME MAGAZINE THAT FEATURED THE AMAZING COSMOPOLIS STYLE ROB PHOTOSHOOT!
Source + Translation | Scans | Via

Wednesday, 9 May 2012

Rob on the cover of Premiere (France) - NEW Photoshoot and Interview



ImageBam image upload ImageBam image upload ImageBam image upload ImageBam image upload ImageBam image upload ImageBam image upload ImageBam image upload ImageBam image upload ImageBam image upload ImageBam image upload ImageBam image uploadImageBam image upload ImageBam image uploadImageBam image upload imagebam.com

Get the magazine here | Online or iPad here 


Translation (Page 1). Thanks to Sonia of RPlife "Filming Cosmopolis with Cronenberg changed something in me. It gave me balls"

 It's 1:30pm in the halls of the Solo House, a private club on Sunset Boulevard in Los Angeles, Members only ... If the hostess let us in the elevator with a smile, it's because we prononce the magic words :' We have a meeting with Robert Pattinson at 2pm.'. Surprise, the actor arrives too 30 minutes in advance ... with a heay beard. he didnd let it grow to throw off the paparazzis but to prepare himself for a next role in a movie about a rock back, The Band. But the project that reunites us today is Cosmopolis, the adaptation of Don DeLillo's novel for david Cronenberg. Electric shock movie set to be at Cannes this year.The Canadian director surprised everyone by giving out the role of Eric Packer to the Twilight star. This 28 years old yuppie from New York that decides to travel through the city in his limo so he can get a haircut, while demonstrations makes chaos prevail in the streets and threats are hanging over the millionaire's head.

 A ride to hell that will change him forever, the 'him' could apply to Pattinson as well, who delivers a shocking performance with a perfect timing. Mid-November, when the last Twilight movie will be out, the teen hearthrob can definitely let the grown up actor, revealed by Cosmopolis, take his place. The transformation starts now!

 P: Rob, last time we talked, you were coming out of the Cosmopolis shooting and you told me: 'I didn't understand what we were doing and when I asked David, what it was about, he told me: 'I don't know, we don't care'. But after seeing the movie, I found it extremely clear. 
RP: For the first screening, I was alone and I came out of it puzzled. At that time, the music didn't register in my brain yet. I then saw the movie again with other people and they were really responsive. They couldn't stop laughing and I thought: "Oh, well it works afer all (laughs)" I can't wait to see how the audience will react to it. It's the first time I can watch something I made as 'a movie' maybe because Cosmopolis belongs entirely to David Cronenberg. It's really his movie.

 P: It's yours too, let's be real ... 
 RP: It's still pure Cronenberg, there's no doubt about it. Most directors try to take you by the hand and tell you: 'I'm gonna help you go where you need to go'. David films a scene and then go: 'Ok, that's good, let's move on!' But he's really sensible to the actors' performances, he's not going to give you a lot of instructions but he has an uncanny accuracy. Nothing escapes him, you just need to lose your focus for a second and he notices right away. It's almost unsettling to work with someone like this. At the wrap party, I asked him if he saw some edited scenes and he told me he saw the whole movie! He already edited it. Since I was so curious, I asked him, 'So, do you know what it is about?' 'Not at all, but it's good, it's funny.' He then quoted Fellini to me, asserting that a movie is dead when it doesn't raise questions anymore. On the set, David was delighted by the confusion that ruled, including among te more experienced actor, like Paul Giamatti.

P: The director is supposed to have a head start ... 
RP: And he's supposed to fear nothing as well. I never worked with a screenwriter who was this confident in his abilities. If he was stuck on a way to film a scene, he did something else. He knew the script by heart so he could afford it. It's kid of unnerving at first, but since I'm in every scene I memorised the whole scrit, like a play.

P: It's healthy for an actor to be fearful, isn't it? 
RP: On the first day of shooting, I wasn't showing off. While we were getting ready for the first shot, Sarah Gadon (who plays his wife) asked me: 'So how did you prepare for your role?' I broke down and left the limo really pissed off and yelled: "How dare you judge me like that? Are you trying to test me or something?" *laughs*

P: Cronenberg told us that you were stressing out about filming the movie ... 
RP: I'm going throuh a phase were I'm trying to determine what I can accomplish or not as an actor. It's even more complexe when you know you have a past, even tho people like David don't pay any attention to it.

P: I recommend David to see the last Twilight movie, that is almost 'Cronenbergian' at some times ...
RP: *laughs* I can't believe there's still one more to come (Breaking Dawn Pt 2 is out November 14th) and I have some reshoots to do in a few days.

P: You thought Twilight was behind you? 
RP: Yes, I'm not the same as I was at the beginning. First, I'm older ... When I have to go on the makeup chair, I see all those wrinkles that came with time, it's scary. I thickened/filled out too. Since I didn't have any clothes when we shot the first movie, I stole some from the movie when we done and I can fit any them anymore!

P: when you first went to Cannes in 2009, you triggered off a riot on the beach where 700 fans were waiting for you. The security had to carry you out to your car to get you out of there ... 
RP: This year they won't even notice me: 'We don't care, he's not in The Hunger Games!' *laughs*

P: It is looks like you have a date with one of your Twilight costar on la croisette, since Kristen Stewart will be there for On The Road too. The Festival almost looks like graduation day ... 
RP: I'm thrilled to go. Filming Cosmopolis with Cronenberg changed something in me. It gave me balls. *laughs* I have 5 projects lining up right now that follow the path the movie opened for me. Before, I spent my time doubting myself. As soon as I read a script that I liked, I was working myself up, asking myself if I was good enough. Now, I tell myself: 'Fuck it! If they want to hire you, go!"

  
Page 2 Thanks to SomeLostBliss

PREMIERE: You haven't shot any movie since Cosmopolis, as if you were waiting for more offers that the movie would bring you. Is that the case, here?
ROB: More or less. Breaking Dawn had me busy till the end of the year & there are not a lot of movies shot in the winter. I started panicking three months ago, but that's when all those projects started to come. If everything goes well, I will start shooting in the fall.

PREMIERE:Two years ago, you seemed surprised that some people would hire you for certain movies & you said that you would still act as long as you would have that opportunity. I feel like the way you think about acting has changed. Now you know where you want to go.
ROB: I've always wanted to make good movies. But before, I was more the type to get drunk & say: "If people don't like me, they can go fuck themselves!" (laughing) It's different nowadays : I want the people that I respect to respect me as well. It seems easy when you say it like that, but sometimes, you need time to undertsnad that having the respect of others is what is the most important. And whining about it won't make you succeed. When David came out of nowhere to ask me to be a part of Cosmopolis, I asked him tons of questions. I wanted to know absolutely what he has seen in me, what he thought about me... But he couldn't answer me.

PREMIERE: The Cosmopolis teaser had the effect of a bomb on the internet...
ROB: I've been doing movie for 8 years & I've been criticized often & all of a sudden, this teaser is released & everyone is excited. "It looks great! His acting is good in it!" It's ridiculous! It's what makes you understand how the critical mind of some people work.

PREMIERE: Most of the critics said you sucked without having seen you in any movies. And you were good in Twilight!
ROB: In some scenes maybe... I tried anyway.. I'd like to ask a question to those people who think I just started acting well: What do you think I was doing in twilight? Do they think it's how I act naturally? No, I had to take decisions as an actor. I find it funny when I read stuff like (He uses a dramatic voice) "Will Cosmopolis finally prove that he can act?" What does that even mean?

PREMIERE: Before he was discovered by Burton & Fincher, Johnny Depp & Brad Pitt were more or less known as 'pretty faces'. I feel like the same thing is happening to you with Cosmopolis.
ROB: The good news is that the way the industry perceives actor is changing, even if Brad Pitt is to me, one of the most unfairly underestimated actor in the world. It's not said enough but he never delivered a bad performance. Nowadays, no one wants to make drama for adults because people say no one is going to see them. No one. Except Brad Pitt. It's how you make a carreer last. We still see those kind of movies in the world of independant movies, but those dramas, held by stars have almost disappeared. It must be because those stars lost their part of mystery. How do you want to play roles like that if people know everyone about you & your life?

PREMIERE: Before, talented actors were turning into big stars. Nowadays, we become a star before we've had time to prove that we're a talented actor.
ROB: Celebrity is one of the only thing that we can access without having any qualification. And when you dare to say something negative about fame in the media, you're sure that you're going to get a lot of crap. People don't want to hear about that at all. It's not jealousy, it's just that they don't want you to shatter their dreams.

PREMIERE: You have to maintain the illusion, no matter the price...
ROB: The paradoxe is that they want to maintain it & shatter it at the same time by accumulating as many things as possible about your private life.

PREMIERE: Am I wrong or it seems like you're going to favour ambitious projects, without giving up to the Hollywood sirens?
ROB: It's almost more dangerous to try the Hollywood adventure, in fact. Recently, I read the script for a big movie worth 80 million dollars that I liked a lot. it was the first time a studio was sending me a script that I liked and I was really excited. I was telling myself: "This is it, I finally have that cool blockbuster that i was looking for!" But when I went to the meeting, I was told that I was too marked by Twilight & that it wouldn't be possible. I was disappointed. Then I read the script again & realized that, in the end, it wasn't that good. (laughing)

PREMIERE: It's like destiny was trying to tell you something...
ROB: Possible. It's said often that you need to alternate the projects that you do for yourself & the ones you do for the studios. But I don't believe that. If you shoot a shitty film.. well, you just made a shitty film. The money it will make at the box office won't change a thing about that. And success is never a sure thing: look at "wrath of the titans" which just failed at the B.O...

PREMIERE: Have you ever tried to accept a role for money?
ROB: Yes. But something always happened at the last minute & it ended up not happening. Of course, I've done five Twilight, but I never did that for the money, even if I would have found that really unfair to let that money go to somebody else. (laughing). I learned one thing & that is that everything that makes you win money is never "free". I feel like, the more money you gain, the more problems you have on the side. Like.. to barricade your house for example. When someone tells me: "But it's just a movie!", I want to tell them: "Yes, but you can pay it for the rest of my life!"

PREMIERE: It's hard to get your soul back once you've sold it.
ROB: Especially in Hollywood, where everyone is judging you. I've always admired Nicolas Cage, who always did whatever he wanted with his carred without caring about what others thought about it. And after 15 years, they finally realized that he was a genius. He's not only one of the most fascinating actors in the world, but he's also a real artist.

PREMIERE: The hostility that Twilight received might have made you used to not live your life according to how people perceive you..
ROB: When you suddenly become known, you have no control over what people think of you anyway. You need to learn how to fight the storm, especially when you understand that you're just a pawn within an enormous machine.

ROB: When you're doing interviews, one after the other, to promote a movie but no one asks you about your work, you end wondering if you'r even an actor. I often ended up in front of people who had probably never seen any Twilight & only wanted to know what it was like to be a celebrity.. "People recognize you in the street, they take your picture all the time & it's really weird, Here you go.."
While i'm talking about that, something happening to me at the beach not long agao. I was trying to learn how to surf - So I looked like an idiot, you can't even imagine -, when I thought I had seen paps, trying to hide behind rocks. When I got the confirmation, my body acted on impulse & I ran in their direction. But in the middle of my run, I started asking myself what I would do once I was in front of those guys. I wasn't afraid of being beaten up, what you would be scared of in those kind of situations, but I was scared of ending up in court if I hit one of them. Fortunately, Those paps were such cowards that they left immediately. I have no idea what would have happened if they had not left.

PREMIERE: The good news is that the hysteria will be over soon...
ROB: I'm going to be 26 & I can tell you that it's starting to freak me out that I'm appealing to girls that are 13 yo. I'm often wondering how things will change now.

PREMIERE: Things will change starting this months, when the public will discover Cosmopolis.
ROB: I've always felt like people judged the performance of actos as if we were in American Idol. That we need to cry or sream really loudly for people to find you good. That way, I'm trying not to delude myself.

PREMIERE: I'm surprised that you're still able to keep your head on your shoulder. Have you ever found yourself acting like a star/diva?
ROB: It might have been different if people kept telling me I was a genius all day long, but that's not the case.
At the beginning, I tried to break through as a model, withouth being offered a single job. When you've done more that 2, 000 castings & the guy in front of you doesn't even look at you once in the eyes, looking at your pictures one after the other while saying "No, no.." in a disgusted tone, you end up being immuned to a lot of things.
Related Posts Plugin for WordPress, Blogger...